Aiden Sharma

МИР is MIR.

MIR Next is a growing multi-script type family best described by the terms “humanist–semi–slab-serif”. Its name comes from the old Russian word (Мир) meaning both “world” and “peace” –a unity we will hopefully take for granted sometime in the future.

MIR’s character set contains Latin and Cyrillic, both extended, as well as Greek, covering more than 100 languages. Strong personality along with consistency between language systems were a basic aim when designing the family. Besides letters, a wide choice of symbols and numbers are included, making MIR a very useful tool also for statistics, texts about mathematics and the sciences. Serious things are best be said in an unpretentious, relaxed way. MIR gives typography exactly that kind of appearance. Its texts emit a sense of authority and stay easily accessible at the same time.

English

HU Basic Sans is a body text font with simple Sans structure. It is well used in medias that are appropriate to use sensible font types. yet, its shows it's stylish aspects with it's wide main body.

Greek

Το HU Basic Round είναι μια γραμματοσειρά κειμένου σώματος με απλή δομή Sans. Χρησιμοποιείται καλά σε μέσα που είναι κατάλληλα για χρήση λογικών τύπων γραμματοσειρών.

Ωστόσο, δείχνει ότι είναι κομψές πτυχές με το μεγάλο κύριο σώμα του.

Υπάρχουν 1 βάρη του HU Basic Round : light

Cyrillic

HU Basic Round - это шрифт основного текста с простой структурой Sans. Он хорошо используется в средствах массовой информации, которые подходят для использования разумных типов шрифтов.

тем не менее, это показывает его стильные аспекты с его широким основным корпусом.

HU Basic Round имеет 1 толщины: light

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection.

The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

GHEA News is a super family font.

 It has 8 upright weights and their Italics and supports Latin, Armenian and Cyrillic alphabet systems.

The weights from Regular to Bold and their Italics can be used as text fonts. The weights thicker than Bold can be used as Display fonts. 

It is an easily readable two side serif font and the eyes don't get tired while reading. 

GHEA News has a contrast style and at the same time is quite bright and clear. 

I design this Sketch font from my own handwriting. I was inspired by Sketch Writing when I designed buildings.

Fond This can be used in writing books. titles of books, magazines, clothes and can also be used as branding.

English

HU Cookie is a cute handwritten typeface that can be used to express any lively or active moment.

The alphabets are not aligned or evenly written but are crooked like scribble, which gives you funny and informal vibe.

There are 2 weights of HU Cookie : light, semi bold

Greek

Το HU Cookie είναι μια χαριτωμένη χειρόγραφη γραμματοσειρά που μπορεί να χρησιμοποιηθεί για να εκφράσει οποιαδήποτε ζωντανή ή ενεργή στιγμή.

Τα αλφάβητα δεν είναι ευθυγραμμισμένα ή ομοιόμορφα γραμμένα, αλλά είναι στραμμένα σαν σκαρίφημα, κάτι που σας δίνει αστεία και ανεπίσημη ατμόσφαιρα.

Υπάρχουν 2 βάρη του HU Cookie: light, semi bold

Cyrillic

HU Cookie - это симпатичный рукописный шрифт, которым можно обозначить любой живой или активный момент.

Алфавиты не выровнены и написаны неравномерно, они изогнуты, как каракули, что создает забавную и неформальную атмосферу.

HU Cookie имеет 2 толщины: light, semi bold

Alter Aves type is the first part of AlterType project – the serie of small display typefaces based on letterings, left-off types and altered foundry typefaces. 

Alter Aves is display condensed sans-serif typeface with couple of geometric-round letters, serif-styled elements and flat brush strokes. 

It supports Latin Extended-A (Western, Central Europe, Baltic, Turkish) and Cyrillic encoding languages and minimal opentype features – oldstyle digits, case sensitive punctuation, small-numeric forms and scripted fractions.

Fully functional Demo style is distributed free for non-commercial using.

Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, a plethora of mathematical symbols and arrows, and a number of alternatives in the PUA. A Fontlog is included for referencing all additional characters.

Notes: 1) The superscript characters, modifier letters, and the numerators, are all part of the superscript table. 2) The bold versions of the font have some alternative/reversed characters; I did this because there is no difference in the math or punctuation symbols, i.e., the bold versions are not actually bold (with exceptions), which gives the font a better harmony. 3) The font uses anchors, which means that it will not align properly for linguistic use, or otherwise, without open type. 4) For those interested, Open or Libre Office can access all glyphs using: Insert > Special Character.

We are proud to present to you our new Latin+Cyrillic font Fedorro!

Fedorro typeface is a classy example of a modern Ukrainian style of type design. It is inspired by traditional fonts of the past, but with a strong modern twist to its appearance.

The main feature of this font are round and playful letters combined with a relatively tiny negative space, making it unique like no other: many typeface elements were borrowed from historical exemplars of Ukrainian handwritten letters and redesigned with modern trends in mind.

Fedorro is perfect for all the situations when you need the text to pop and catch the viewer's eye: posters, books and magazine covers, headlines, banners and ads, logotypes, corporate branding, lables, ads etc.

Wonderbar 2 is wacky, retro, and not to be taken too seriously. The wavy nature throughout the characters ensure that you're in for a wild ride. Alternating between upper and lowercase letters is like shifting gears. Uppercase characters take on a more undulating flow with stems that reach out to tickle you. Because of this slight overlap should be expected. In addition to Latin this childlike display font is equipped with Extended Latin for many European languages as well as Cyrillic. Try it in a children’s book, poster, or birthday invitations.

KyivType superfamily, consisting of three subfamilies: Sans, Serif and Titling. Fonts have variability in weight and contrast. There are also alternates.

Initiated by Projector, Dmytro Bulanov Creative Büro, and Banda Agency for Kyiv city (Ukraine) identification and promotion. Freeware. Fonts are free for commercial and non-commercial use. 

More at Behance

KyivType Sans is a part of the KyivType superfamily, consisting of three subfamilies: Sans, Serif and Titling.

Initiated by Projector, Dmytro Bulanov Creative Büro, and Banda Agency for Kyiv city (Ukraine) identification and promotion. Freeware. Fonts are free for commercial and non-commercial use. 

More at Behance.

SK Fencer™ is a typeface inspired by the fine art of fencing. Its light linear features contrast with the angular thicknesses, creating a unique image of the font and influencing its behavior in the line. Using alternative uppercase characters, you can implement a lot of typographic ideas that will decorate your design. A large selection of weights will also be a great help in your work. The SK Fencer typeface is suitable for both headers and small text arrays, and its widest set of glyphs supports both extended Latin, Cyrillic and many other languages. SK Fencer – elegant, practical, dynamic, unusual!

Patmos Sans is a carefuly hand crafted sans serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages.

Patmos Sans has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures and it is fully unicode-mapped (PUA encoded).

The standard ligatures of the font, are 4 decorative ornaments, that you may add at the end of a word and they fit perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application, then type "d" and a number from 1 to 4.

Patmos Serif is a hand drawn serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and it is delivered in Opentype and Truetype format. It supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages.

Patmos Serif has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures and it is fully unicode-mapped (PUA encoded).

The standard ligatures of the font are 4 decorative ornaments, that you may add at the end of a word and they match perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application and then type "d" and a number from 1 to 4.

The FF Nort™Headline is the ideal companion to the already released FF Nort typeface family.

It is open, inviting, highly legible, strikingly handsome and a comfortable performer on screen and in print.

As a powerful display type tool, it is perfect for headlines, navigational links and banners.

OpenType® Pro fonts of FF Nort Headline, have extended character sets that support most Central European and several Eastern European languages – including Greek and Cyrillic. Graphic communicators will also benefit from the additional ligatures, and suite of symbols and signs.

FF Nort’s designer Jörg Hemker has a background in corporate and governmental design and has received a variety of awards for his work – including the prestigious German Red Dot Design Award. He works as a freelance graphic and branding designer and is a lecturer in type and typography at the University of Applied Science in Hamburg

SK Brushwood is an experimental geometric font based on chaotic lines. It is inspired by the Greek stone script, but nevertheless it is modern. The main component of the letter shape is straight and sloping lines ending in straight corners, which makes it look like brushwood. This is why the font gets its name. SK Brushwood is perfect for headlines, posters, print work, and the Internet.

Bethencourt is a font family designed by Vsevolod Buravchenko & Viktor Kharyk with technical support by Konstantin Golovchenko.

It is based on uncial, half-uncial, Old Roman Cursive and New Roman Cursive. The character set includes Latin Extended characters, stylized Cyrillic and decorative elements in the form of playing dolphins.

Apura stands for a clear geometric language based on two main shapes: a circle and a square. It‘s the perfect font for headlines, posters and logos. You can create amazing experimental designs using Apura as well as unique corporate identities.

The font includes uppercase and lowercase characters, both latin and cyrillic, alternates, numbers, punctuation marks and symbols.

Tromso is an extra wide sans serif font typeface. The family includes 3 fonts in a variety of styles. The uppercase alphabet in each font / style has been wide extended to allow for easy customization and creative control of character widths. Includes uppercase multilingual letters, numbers and punctuation. Well kerned. Including cyrillic. Perfect for logotypes, posters, app, etc.

Characters

• Basic Latin
• Latin-1 Supplement