Aiden Sharma

Causten Round is a geometric sans serif font family with round corners and maintains rationality in designing each form. With use the sharpness of the eyes, and remain logical, so that balance is maintained in each form. So, it will get a clean, neat, and perfect shape.

Causten Round comes with 9 weights and a matching oblique, making it 18 styles. It makes it perfect for all creative projects. Also, some alternative glyphs will be an attractive choice.

Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it.

Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics.

FEATURES

Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support

USE

Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it

Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics.

FEATURES

Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support

USE

Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full range to explore a whole host of applications, while the fonts outlined give a real modern feel to any project.

Any specific license questions or questions, feel free to contact zamjump@gmail.com

zamjump

Kanyon is a family of typefaces created from basic geometric forms based on the equal width system. Its clean and neutral structure and 3 different widths provide ease of use in different design channels.

With its rich OpenType features, multi-language support and small capital characters, it has a wider usage area than its counterparts.

Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.

Mars Model is a font that's originated from a concept for a rock band. With its 5 fun styles, Mars Model gives your graphic work a futuristic look that is reminiscent of the warm look and touch of Arts & Crafts. This style of type is instantly associated with advertising and design for high-end products. Mars Model is an entirely hand-drawn font, perfectly vectorized and meticulously digitized for quality and readability. Also, the font can be used for a refined vintage feeling or an industrial and futuristic atmosphere. Mars Model is great for display, logos, branding, packaging, advertising, food, sports, titles, film, TV, and much more. Doesn't that sound perfect to you?

BR Nebula is a geometric sans serif that builds on the foundations of early geometric designs such as Paul Renner’s Futura, and later works such as Avant Guarde. BR Nebula takes inspiration from these early explorations in sans serif design and re-imagines them for the modern age. Distinctive geometric letterforms have been refined and simplified with opened terminals to achieve a clear, legible and modern aesthetic.

BR Nebula is available in 20 contemporary styles, with weights ranging from Hairline to Super. The fonts also provide advanced typographic support with OpenType features such as case sensitive forms, stylistic alternates, slashed zeros and multiple figure sets. Also containing advanced language support as standard.

For custom enquiries please contact: mail@brinktype.com

The Genau family is a geometric sans serif designed under the influence of the constructivist schools of Vkhutemas and Bauhaus. Despite the traditional shapes, the family has characteristic features in the modern outline. The sharp junction of round and straight strokes repeats the sharp tails in “a” “d” “n” “u” and other. The family has an even, smooth texture. The family has been developed to advert materials for architecture, design, education, modern art. The family has high readability in a small size, and doesn't lose aesthetic qualities when enlarged.

The font family contains 8 styles

The font is equipped with a Variable file with two axes (weight and slope)

Supports languages ​​of central Europe and some languages ​​of eastern Europe

Contains small uppercase letters

Contains tabular figures

There are several alternates in the font

The font has more than 1700 kerning pairs

Izmir is a modern, geometric font family. Izmir font family consists of 44 fonts in two widths, normal and narrow where each width consists of regular and italic styles in 11 weights. Each weight is equipped with useful OpenType features. A local ampersand has been added to use in Turkish in normal weights and italics. The combination of normal and narrow weights can be an excellent choice for any graphic design and display use.

Aceh is a geometric sans serif font family, we make it in sharp and soft shapes, in the form of Upright with matching Oblique.

Aceh consists of 9 weight, Black is the most appear strong and powerful, while thin looks more clean and modern.

Aside from being a text font, we also intend this font for branding purposes, appearing more elegantly dynamic and reflecting a dynamic lifestyle.

Modern, Clean, Readable and powerful are the basic concepts of this font. With a choice of 36 fonts, we believe your brand will stand out

Designed by Changki Han. Heckney is a superfamily, which brings together several attention-grabbing styles. Heckney is an elegant, high contrast typeface that demands its own attention and has been designed purposely to enable brands to appeal more emotionally to modern consumers.

Heckney comprises four sub-families —Sans, Outline, Hatched— as well as a variable. The full superfamily includes 42 fonts with 13 weights ranging from hairline to black.

Our foundational ethos is “a thing well made”. Our typefaces combine historical knowledge with rigorous contemporary craft. We believe the alphabet is a concept made concrete through written and designed letterforms — the alphabet is not defined by a single typeface but expressed through all of them. Our retail catalogue features fonts suitable for a complete range of use, from small and functional to large and decorative.

Nemorosa is a versatile font family.

Its design has a retro sweet sixties feeling with a geometric touch.

It comes in six weights and italics and a selection of alternates to mix-and-match and bring a different perspective to your texts and logos design.

Perfectly suited for publishing and display use.

BR Omny is a rounded geometric sans serif, it is based on a softened geometric framework with a confident and friendly persona. The family contains 7 weights ranging from Thin to Black with corresponding italics. It supports an ‘Extended Latin’ character set that provides support for 200+ latin based languages.

BR Omny provides advanced typographic support with OpenType features such as alternates, case forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, web, branding, advertising, publishing, gaming and mobile applications.

For custom enquiries please contact: mail@brinktype.com

A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility. Corbert is a regular, self-evident design that works well across a wide range of applications.

Details include nine weights with matching italics and over 540 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Majorant is a geometric sans serif interpreted from a contemporary point of view. Its wide range of weights makes it a multipurpose family. The extreme weights work as a display typeface, from the mathematical rigour of the UltraThin to the expressive refinement of the Black. Thanks to the several alternates included, the font offers multiple personalities. From sharp and audacious in the default version, to the soft and classic in the stylistic sets. Majorant PDF.

Antapani is a grotesk sans style with some stylistic style to some letter. Designed for readability but can also function as a display text. Come with 9 style from Thin to Black so you can choose which style you want. Designed with opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Designed by Abdurrahman Hanif, a young Jakartans Graphic Designer who fell in love into type design after his graduation. Published by Monoco Type