Aiden Sharma

Adonis New is a considerate update of the Adonis serif. This dense serif with smooth lines has new, bolder styles, and it supports Greek now. In addition, Natalia Vasilyeva reworked the main styles and made them fresher and more accurate. Adonis New works well in bookset, particularly in fiction and humanities. New version was released by ParaType in 2021.

МИР is MIR.

MIR Next is a growing multi-script type family best described by the terms “humanist–semi–slab-serif”. Its name comes from the old Russian word (Мир) meaning both “world” and “peace” –a unity we will hopefully take for granted sometime in the future.

MIR’s character set contains Latin and Cyrillic, both extended, as well as Greek, covering more than 100 languages. Strong personality along with consistency between language systems were a basic aim when designing the family. Besides letters, a wide choice of symbols and numbers are included, making MIR a very useful tool also for statistics, texts about mathematics and the sciences. Serious things are best be said in an unpretentious, relaxed way. MIR gives typography exactly that kind of appearance. Its texts emit a sense of authority and stay easily accessible at the same time.

Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, a plethora of mathematical symbols and arrows, and a number of alternatives in the PUA. A Fontlog is included for referencing all additional characters.

Notes: 1) The superscript characters, modifier letters, and the numerators, are all part of the superscript table. 2) The bold versions of the font have some alternative/reversed characters; I did this because there is no difference in the math or punctuation symbols, i.e., the bold versions are not actually bold (with exceptions), which gives the font a better harmony. 3) The font uses anchors, which means that it will not align properly for linguistic use, or otherwise, without open type. 4) For those interested, Open or Libre Office can access all glyphs using: Insert > Special Character.

The FF Nort™Headline is the ideal companion to the already released FF Nort typeface family.

It is open, inviting, highly legible, strikingly handsome and a comfortable performer on screen and in print.

As a powerful display type tool, it is perfect for headlines, navigational links and banners.

OpenType® Pro fonts of FF Nort Headline, have extended character sets that support most Central European and several Eastern European languages – including Greek and Cyrillic. Graphic communicators will also benefit from the additional ligatures, and suite of symbols and signs.

FF Nort’s designer Jörg Hemker has a background in corporate and governmental design and has received a variety of awards for his work – including the prestigious German Red Dot Design Award. He works as a freelance graphic and branding designer and is a lecturer in type and typography at the University of Applied Science in Hamburg