Aiden Sharma

SK One Block was designed by Salih Kızılkaya in 2020. Inspired by Kufic typeface, this font includes many typographic material you will need. SK One consists of 8 different fonts and 2696 glyphs.

Troptical is a hypnotic, energetic multilinear typeface that’s all rhythm and movement. Featuring concentric lines and angular construction, Troptical is inspired by the dazzling dynamism of op-art and the clever geometry of Latin American design, with a dash of 8-bit video game playfulness.

Beneath its art-party, sporting-stripe vibes, this typeface is practical to the core. Troptical’s modular, building-block characters that were born to stack. And with five variable widths interchangeable across its three styles, it’s a typeface specifically developed for mixing and matching characters so every word is a design in itself. Troptical comes in three line weights across all styles and widths. C’mon, let’s dance. 

Font specs

Designed by In-House International and led by Alexander Wright, Troptical is available for Opentype format (.otf) compatible with Mac and PC. Each style family also includes a Variable option designers using compatible platforms. Check compatibility / support status for variable fonts at v-fonts.com/support/

Troptical is available in five standardized, interchangeable widths marked with ascending numbers that represent their span in columns: 10, 15, 20, 25, and 30. Each width is offered in three weights: Light, Medium and Bold. 

With a total of 45 unique fonts across such a wide range of weights and styles, this type family makes it easy to create optical, dynamic typographic treatments for when you just need your stills to move. It’s perfect for logos, large and graphic headers, publishing applications, presentations, packaging, apparel, merchandise and pedestrian-focused outdoor signage. 

Juby Rounded - Heavy, visible and distinctive display font, rounded brother of the Juby Font.

Designed especially for display purposes. Can be used successfully in posters, headlines, visual identities, and everything needs to stand out.

Font containing uppercase and lowercase characters, numerals and a large range of punctuation.

The family has 3 weights with matching italics.

This is condensed and more visually compact version of Skarpa font. All kerning has been thoroughly revised and manually adjusted.

The font is based on geometric forms devoid of excessive flourishing.

Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen. Lighter specimens would look good in leaflet & magazine print (see presented posters).

Pixter straddles the lines between the extreme forms of grid based pixel fonts, and more conventional grotesque fonts. Its array of styles create a palette of textures to work with multiple scenarios, from large format display to oversized passages of copy.

Inspiration for Pixter initially grew from old computer bitmap fonts, but branched out into Swiss and dutch graphic design, such as the graphic work of Josef Müller-Brockmann and typography of Wim Crouwel.